A very large thank
you to Brechin Flournoy and Molly Barrons of San Francisco' D-Net, who
host the San Francisco Butoh Festival. They informed me of Anzu sans passing
and supplied the information below that had been given to her by Anzu san
and added the following note:
"We had a nice benefit
here on November 11. That was, coincidentally, the same day that
they had Anzu's memorial in Japan. Hiroko Tamano performed a compelling
and touching tribute to Anzu. They were planning to dance together
some day."
They also included an
email from Chikashi Furukawa (Anzu's 'little boy' brother) dated October
23rd that read, in part, "I am sorry to inform you that Anzu passed away
early this morning. She had been sleeping for more than 30 hours and stopped
breathing in peace with her two lovely children holding her hands. She
danced at Freiburg New Dance Festival only 20 days ago. In my memory, Anzu
was and is always a 'little girl in an oversized dress'. She ran through
all of us in such a hurry."
ANZU FURUKAWA
born: February 28, 1952
in Tokyo, Japan
died: October 23, 2001
in Berlin, Germany
An accomplished ballet
dancer, modern dancer, studio pianist for ballet companies and a student
of modern composition of music in addition to being both a teacher and
performer of Butoh dance.
1973: Debut as a
director and choreographer with the first piece "grand
conceptual opera" SALOME
TALE at Deutsche Kultur Zentrum, Tokyo
1974-79: Soloist
in the Butoh Dance Company, DAIRARUDA-KAN directed by
Akaji Maro. Worked
with Carlotta Ikeda, Ko Muroboshi, Ushio Amagatsu.
1979-86: Co-founded
and co-directed the butoh dance company DANCE LOVE MACHINE
with Tetsuro Tamura.
Created 53 original theatre pieces.
1987: toured Europe
and Japan as a solo dancer and as a guest choreographer,
with successful
performances in Germany, Italy, Finland, Ghana
1989/91/94/95: Founded
and directed the international dance-theater project
DANCE BUTTER TOKIO
1991-97: University
Professorship in Hochschule fur Bildende Kunste
Braunschweig, Germany
(schwerpunktPerformance)
Many grants and prizes
from the Goethe Institut Tokyo Contemporary music series, The Japan Foundation,
Nippon Geijutsu Bunka Shinko Kikin, Afred Kordelin Foundation, The Art
Council of Province of Central Finland & Goethe Institut Tokyo, Astro-Labium
prize, The International Electronic Cinema Festival-Montreux, Kolner Theatre
Prize
SOME THINGS OTHERS SAID
ABOUT ANZU FURUKAWA
"Anzu Furukawa is one
of the leading Butoh dancers of our time. Besides performing as a
solo dancer, she has also participated in several collaborations of great
significance to the development of Butoh. "
(Kupio Dance Festival
1994)
"Anzu's approach to movement
and choreography is a revelation, a re-evaluation,
a revolution in our thinking
about dance. " (The International workshop festival London 1994)
"Anzu Furukawa:
eine Art Pina Bausch von Tokio"
(DER TAGESSPIEGEL 25
Aug 1989)
Those who have seen her
perform or who have taken her workshops and classes will remember those
times that she shared Butoh with us. Brechin and Molly also asked, "In
tribute to this passionate artist, we'd like to collect your messages of
remembrance and forward them to Anzu's family. If you have anything
you would like us to pass on to her loved ones, please send your messages
back to this email address <sfbutoh@earthlink.net>.
Thank you."
My own experience with
Anzu came in 1999, during the San Francisco Butoh Festival. I participated
in her workshop and found her to be a good teacher, able to communicate
well to her students despite the fact the her English was somewhat limited.
She used humor to break the tension that so often can hamper a student
from learning. That same humor was communicated in her performance of one
of her most famous works, Crocodile Time.
Thank you Anzu, you will
be sorely missed.-Dan Hermon